Black & White Photography 2012-11.pdf

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Black White
‘I was a
taker not a
maker, a real
hunter’
photography
SHOOTING SKIES
KLEIN / MORIYAMA
BEST MACRO LENSES
STEVEN BERKOFF
LEICA X2
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EDITOR’S LETTER
Welcome to
BLACK WHITE
PHOTOGRAPHY
B+W143 November 2012
where it is beginning to annoy me – because
the answer is so glaringly obvious (at least
to me) that the question is irrelevant.
Of course I need to print. For me, that is
what photography is about. It’s a way of
editing my work (remember the old mantra
‘film is cheap, printing is expensive’ –
which, in the digital age is even more
applicable if you swap the word ‘film’ for
‘shooting’). I have to decide which of the
many pictures I take are actually worth
spending money and effort on and, more
importantly, living with.
In the days of social media and the
speed at which we can upload our pictures
for worldwide publication, I think there’s
something to be said for a little bit of
hesitation – a little bit of reflection on
whether this image is really something
worthy of keeping. It doesn’t matter what
anybody else thinks, it’s whether you like
it enough.
Printing digitally is still as much an art
as ever it was in the darkroom and the
more you do, the more you learn. Just like
in the darkroom you have to develop your
own style of printing through choice of
software, paper and printer etc. As
strongly as I feel that darkroom skills
should be kept alive, I also feel that we
should develop our digital printing skills.
OK, where’s that cloth? I’m going to wipe
that question off the whiteboard right now.
© Tim Clinch
A bove my very slightly messy
desk is a whiteboard, which
I use to jot down ideas and the
odd quote or two to help me
through the day. Some while
ago, I wrote the question ‘Do I need to
print?’ It was partly a question to myself and
partly a half-baked idea for an article. But,
having looked at it every day for the last
three months or so, I have come to the point
Elizabeth Roberts, Editor
elizabethr@thegmcgroup.com
OUR CONTRIBUTORS
Susan Burnstine
Susan Burnstine is an award
winning fine art and commercial
photographer, originally from
Chicago but now based in Los
Angeles. Susan is represented
in galleries across the world,
widely published throughout the
globe and her first monograph,
Within Shadows , earned numerous
accolades, including the PX3 Prix
De La Photographic Paris Gold
Award for best Professional Fine
Art Book of 2011.
Roderick Field
Roderick Field has done regular
assignments for the major UK travel
and food publications, including
Lonely Planet, Conde Nast Traveller,
Olive, Sainsbury’s Magazine and
Food & Travel . He has several works
in the National Portrait Gallery.
Colin Harding
Colin Harding is responsible for the
National Photographic Technology
Collection at the National Media
Museum and has written books
and articles on the history of
photography. He is a regular
broadcaster on radio and television
and a visiting lecturer at the
University of Leeds and De Montfort
University. In 2004 he received the
prestigious John Dudley Johnston
Award for his contributions to
photographic history.
Steve Pill
Steve Pill is the editor of Artists
& Illustrators magazine but also
writes regularly on photography,
having interviewed the likes of
Rene Burri, Anton Corbijn and
Sebastião Salgado for publications
including Metro, Black+White
Photography and British Journal of
Photography . His own street and
portrait photography can be seen
at artofthecity.co.uk.
COVER IMAGE
This month’s cover image is
Kanazawa Shrine by Andrew Shaylor
B&W November 2012 1
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Issue 143 November 2012
CONTENTS
NEWS
COMMENT
FEATURES
8 IN DIALOGUE
4 NEWSROOM
20 AMERICAN
GET IN TOUCH
Black+White Photography
GMC Publications Ltd,
86 High Street, Lewes,
East Sussex BN7 1XN
Tel 01273 477374
Email
EDITOR
Elizabeth Roberts
at elizabethr@thegmcgroup.com
DEPUTY EDITOR
Mark Bentley
at markbe@thegmcgroup.com
ASSISTANT EDITOR
Jemima Greaves
at jemimag@thegmcgroup.com
www.facebook.com/
blackandwhitephotographymagazine
twitter.com /BWPMag
CONNECTION
Subtle portraits from the
Ronald Reagan era
74 THE NATIONAL
William Klein and Daido
Moriyama paired together for a
major new show at Tate Modern
28 WAKING OUT
Read all about it
16 IN THE FRAME
Your guide to
photography exhibitions
18 ONE EXHIBITION
OF A DREAM
Hungarian photographer Eva
Besnyö’s remarkable life
34 THE THEATRE
MEDIA MUSEUM
Insight into a key figure from
19th century photography
78 A FORTNIGHT AT F/8
NOT TO MISS
The show to see this month
80 BUILDING A
OF THE STREETS
Actor, writer and director Steven
Berkoff’s fascinating pictures
of London’s East End
38 THE SWIMMER
The ultimate photography
technique revealed by Tim Clinch
82 60-SECOND
CLASSIC LIBRARY
We focus on a fabulous
photography book
EXPOSURE
Spotlight on an emerging
photographer
Exquisite pinhole
images by Steffi Pusch
© DAIDO MORIYAMA
© STEVEN BERKOFF
8
34
© TAMI BONE
82
2 November 2012 B&W
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TESTS AND
PRODUCTS
YOUR
BLACK + WHITE
WIN A
SUBSCRIPTION
TECHNIQUE
42 THE SKY’S
22 READERS’ PICTURES
66
WIN A SUBSCRIPTION
Find the quote and send
us the page number –
and you could win a year’s
free subscription!
Send your entries by 3 December
to markbe@thegmcgroup.com
THE LIMIT
Lee Frost’s inspirational ideas
Prize-winning pictures
65 ASSIGNMENT
48 MAKING A
A challenge for you
76 SUBSCRIPTION
PHOTOBOOK
Eddie Ephraums on collaboration
55 DISCOVERING
‘
OFFER
Save money and have B+W
delivered to your door
85 NEXT MONTH
I was a
taker
66 LEICA X2
LIGHTROOM
How to light up your pictures
56 SHOOTING A TIME
Put to the B+W test
68 WINDOW SHOPPING
What we’ve got planned
87 HOW TO SUBMIT
not a maker,
LAPSE MOVIE
Tips and ideas from Tim Daly
60 ZEN AND THE ART
The latest camera kit
coming to the shops
70 CHECKOUT
a real
Your chance to think big hunter
We want to see your work
96 LAST FRAME
’
OF STILL LIFE
Roderick Field behind the lens
Six of the best macro
lenses for your money
© MARK ADAMS
© TIM CLINCH
55
24
© EDDIE EPHRAUMS
© LEE FROST
48
42
B&W November 2012 3
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