checklist-7-pass-editing.1.pdf

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CHECKLIST – 7 PASS EDITING  
1. Assembly Edit - Assemble your Audio/ Video into first Draft
Don’t add just for complexities sake (Yet)
Add Live video
Sound ON – no picture – Concentrate on the message that’s conveyed
via the audio
Add With on-camera Audio
Add Screen Capture Video
Look out for:
Add Voice Over
Garbled Voice Over
Add Animation
Pregnant Silence
Add Slide Show Video
Overwhelming Sound – Does a sound effect fight against the
message?
Is your story being told?
Final Composite Pass – Sound and Picture Review
Optimize, Timing, Pacing, Tempo & Subject Matter issues
Time to add what you identified from first 2 passes
No Editorial Effects are done in Assembly
5. Finesse Edit
No Effects or Fancy stuff – Just story – “Straight Picture”
Final Edit
2. Hero Graphics Insert Start adding Additional Visual Elements (this is where you
turn up the visual pressure)
Trim Shots for maximum Tempo
Ask Look at your Assembly Edit and ask:
Add SoundTrack
Ask How can I enhance the pacing?
Just rough in the music – we’ll mix it later
Ask How can I make the message more concrete?
Add Transitions
Ask How can I demonstrate better?
Dissolves, Wipes, etc. (what happens in-between scenes)
Ask Is there any confusion?
Add Video Effects
Ask Where can I “Show” with image vs “tell” with text?
Color Correction
Ask How can I awe, inspire, or create emotion?
Glows
Ask Am I constantly building towards payoff for viewer?
Sparkles
DO NOT: Add any titles
Etc.
DO NOT add effects or transitions
6. Audio Sweetening
If a visual element needs finesse – do it now
Add Maximum Sparkle to
Ex: The Kens Burns effect – moving still image
Voice over and On-Camera Audio
AT END : of the Hero Graphics Edit – you should have
Musical Score
A well paced show your trusted peers review for content
Sound Effects
A visually interesting show
Voice Over and On-Camera Audio – Add Effect
3. Title Pass - Add titles (TEXT) and Call Outs to ENHANCE what visuals are
already there
Normalize – this will maximize the overall volume without over
modulating
Noise Reduction
Remember “SHOW ”, don’t “TELL”
Sample Beginning or End of Voice and Add Noise Reduction
Effect
Sometimes, ideas/visuals DO need Title Support
You might need to this to an digital intermediate
Add Lower thirds – Titles that identify
On Camera Talent
You export the Audio separately
Objects
Add effects in another app (Audacity, Garage Band)
Locations
Compression
Title Cards –Text (no other images except static background)
Noise gate
Effective for emphasizing points
EQ
Can be used to visually segment your acts
Limiter
Use sparingly
Sound track
“ Supers ”
Compression
Text over a moving background (Live Video)
Parametric EQ
Great for illustrating steps of a demonstration
Balance Against the voice
4. Sound Spotting – Research process to identify sound effects
Sound Effects
Timing
Sound Effects
Balance Against Voice and Music
Musical Stingers (Short passages of music and emphasis)
Parametric EQ
Sound Track Opportunities ( as your edit develops, certain moods of music
become more obvious
Final Mix
“Swells” – Story driven Opportunity to build sound
Track Balance
Additional Voice Over
Intelligibility – Always sacrifice Music and Sound Effects in favor of
Voice
3 Spotting Passes -
– (don’t censor yourself)
Sound OFF Any screen moments where additional audio support would
enhance the MESSAGE
7. Final Mastering – review for Distribution – Will you show “hold up”?
YouTube
Stay true to the Story
iPods
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CHECKLIST – 7 PASS EDITING  
Television Displays
Bright or Dark Presentation Venues
Laptop Speakers
In Office
Headphones
At Home
 
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