{1720}{1829}Do you know the ten historical|propositions about the Old Testament? {1834}{1859}No. {1886}{1929}Scholem's text {1934}{2014}says a tradition exists|concerning truth {2034}{2093}and that it is transmissible. {2132}{2163}I laugh. {2172}{2238}The truth in question here {2243}{2296}has many properties. {2303}{2362}Being transmissible|isn't one of them. {2367}{2406}What are you talking about? {2411}{2437}I don't see. {2455}{2487}Very well put. {2505}{2536}"I don't see." {2588}{2631}And yet I saw him. {2674}{2724}No, heard him. {2742}{2852}Men fight for a society|in which we aren't slaves to money. {2880}{2956}You can't understand|living not to make money. {2968}{3004}Listening to you, {3009}{3050}I'm starting to understand. {3080}{3134}But this obsessiveness... {3148}{3189}Ever think of anything else? {3219}{3258}Of love? No, never. {6488}{6585}Perspective was the original sin|of Western painting. {6599}{6629}Niepce and Lumi?re {6634}{6669}were its redeemers. {6799}{6832}When I admire a film, {6837}{6923}I'm told:|"It's nice, but it's not cinema." {6941}{6993}So I asked myself what it was. {9657}{9717}I come not to abolish,|but to fulfill. {9868}{9928}You cannot serve|both God and money. {10245}{10279}When giving alms, {10284}{10373}let not your left hand know|what the right is doing, {10378}{10446}so secret|is your almsgiving to be. {10451}{10552}Your Father, seeing what is done|in secret, will reward you. {10591}{10670}As you have judged,|so will you be judged. {10681}{10747}May you be granted|to judge with equity. {10771}{10868}And with the measure you use,|it will be measured to you. {11384}{11409}My God! The money! {11444}{11515}This, then, must be your prayer|every day. {14796}{14843}O homecoming! {14880}{14987}O homecoming of him|who no longer need be {14992}{15018}a guest. {15077}{15137}Oh, when would the end appear? {15148}{15195}Where would it appear? {15214}{15279}When was the curse|going to be broken? {15287}{15383}Was there a final degree|in the intensification of silence? {15388}{15442}It seems so to the individual. {15536}{15610}How many sobs for a guitar tune? {15833}{15889}Did evil still exist? {15920}{16042}Man's voice, woven into the fabric|of the universe, gave no answer. {16050}{16157}It seemed there would be|no answer before daybreak. {16206}{16289}As if everything were but waiting, {16304}{16354}waiting for the day-star, {16376}{16468}as if nothing else besides this|were legitimate. {16527}{16618}Because, for one last time,|night gathered its forces {16623}{16654}to conquer light. {16693}{16778}But it is in the back that light {16783}{16815}strikes the night. {16848}{16869}And first, {16890}{16964}very soft, so as not to scare him, {16983}{17068}the murmuring|that man heard long ago, {17073}{17131}- oh, so long ago, {17156}{17218}well before he existed! - {17247}{17318}the murmuring begins again. {20596}{20668}The last lesson of Fernand Braudel. {20673}{20722}He's not telling stories. {20733}{20798}As Etienne Jules Marey asked him to, {20818}{20928}the holy man examines and surveys. {20993}{21040}Identity of France. {21077}{21165}Identity of cinema.|Identity of the New Wave. {21334}{21421}One evening, we went|to Henri Langlois' house. {21447}{21513}And then there was light. {22137}{22179}Because - isn't it so? - {22190}{22290}true cinema didn't wear,|for our provincial eyes, {22304}{22400}the face of Madame Arnoux|in Fr?d?ric Moreau's dreams. {22418}{22503}We knew cinema|via Canudo and Delluc {22526}{22570}without ever having seen it. {22659}{22726}Nothing to do with Saturday movies {22737}{22820}at the Vox, the Palace, the Miramar {22830}{22866}the Vari?t?s. {22878}{22937}Those films were for everyone. {22942}{22971}Not for us. {22980}{23020}Everyone but us. {23064}{23108}Because true cinema {23135}{23185}was the kind that can't be seen. {23264}{23310}That was the only kind. {23708}{23736}It was {23764}{23794}It was {23832}{23871}It was Mary Duncan. {23916}{23969}Isn't it so,|Jean George Auriol? {24027}{24090}<i>But we would never see The River.</i> {24116}{24177}We had to love it blindly. {24194}{24225}And by heart. {25098}{25152}<i>Same with the crowds of October.</i> {25167}{25218}<i>And those of Que Viva Mexico.</i> {25228}{25272}Isn't it so, Jay Leyda? {25833}{25888}<i>Same goes|for the streetcars in Sunrise.</i> {25893}{25920}Isn't it so, {25940}{25970}Lotte Eisner? {26006}{26040}Already forgotten, {26063}{26100}still forbidden, {26124}{26165}always invisible. {26193}{26235}Such was our cinema. {26242}{26282}And it stayed with me. {26287}{26334}And Langlois confirmed it. {26339}{26376}That is the precise word. {27879}{27906}That the image {27911}{27967}is in the domain of redemption {27972}{28028}- that of reality - {28050}{28107}we were amazed! {28117}{28168}More than El Greco in Italy {28178}{28268}and Goya, also in Italy,|and Picasso before Goya. {28285}{28340}We had no past. {28386}{28437}This man from Avenue de Messine {28447}{28490}gave us the gift of this past {28516}{28571}metamorphosed into the present {28576}{28651}during Indochina, during Algeria. {28698}{28764}<i>And when he first projected|Man's Hope,</i> {28769}{28841}we were less struck|by the Spanish civil war {28846}{28918}than by the fraternity of metaphors. {32224}{32338}Our only mistake was to think|it was a beginning. {32399}{32468}That Stroheim hadn't been murdered, {32473}{32539}that Vigo hadn't been sullied, {32564}{32624}that the 400 blows continued. {32793}{32846}They were growing weaker. {32968}{33014}And thirty years later, {33039}{33133}we had to admit|if our courage had been vanquished, {33138}{33174}we had to admit {33188}{33224}that it was probably {33240}{33335}because it wasn't out of courage,|but out of weakness. {33383}{33416}And perhaps... {33525}{33579}I finally have to realize {33584}{33642}that the forces of weak interaction, {33678}{33767}the fourth wall|of the house of the world, {33806}{33883}that this weak force is that of art. {33913}{33946}And of its last newborn: {33983}{34015}The cin?matographe. {35179}{35254}What's this museum? T-shirts? {35259}{35307}It's the New Wave, Audrey. {35761}{35814}What's Daumier got to do with it? {35819}{35850}Ask the guard. {36711}{36771}- Enjoy?|- There's interesting stuff. {36776}{36811}I disagree. {36831}{36886}Tons of pictures of works. {36934}{36963}Never any people. {36968}{37041}That's the New Wave.|Auteur theory. {37052}{37104}By authors. Works! {37123}{37168}Your friend is right. {37195}{37249}The works first, the men after. {37254}{37294}You have no heart! {37305}{37375}We can film work. Not hearts. {37450}{37479}I don't know. {37508}{37557}It's a time of unemployment. {37624}{37685}Who is out of work? {37705}{37786}Some times have too many hands|and too few hearts. {37791}{37880}Yes, times without heart,|but not without work. {37885}{37977}When an era is sick|and lacks work for all hands, {37995}{38054}it addresses us a new exhortation. {38059}{38123}The exhortation to work with our hearts {38128}{38167}instead of using our hands. {38191}{38232}I know no era {38242}{38319}that lacked work for all its hearts. {38730}{38775}All the same. Becker. {38796}{38844}Rossellini. Melville. {38863}{38915}Franju. Jacques Demy. Truffaut. {38943}{38982}You knew them. {38999}{39051}Yes, they were my friends.
Merlin-Ka