Osprey Campaign 224 - Mons Graupius AD 83.pdf

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CAMPAIGN • 224
MONS GRAUPIUS
AD 83
Rome’s battle at the edge of the world
DUNCAN B CAMPBELL
ILLUSTRATED BY SEÁN Ó’BRÓGÁIN
Series editor Marcus Cowper
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DEDICATION
To Janet and Ruairi, who cheerfully agreed to spend a perfectly good
summer’s day exploring the foothills of Bennachie with me, and kept
me supplied with wine during the writing of this book.
First published in Great Britain in 2010 by Osprey Publishing,
Midland House, West Way, Botley, Oxford OX2 0PH, UK
44-02 23rd St, Suite 219, Long Island City, NY 11101, USA
E-mail: info@ospreypublishing.com
© 2010 Osprey Publishing Ltd
ACKNOWLEDGEMENTS
It is again a pleasure to acknowledge the kindness and generosity of friends
and colleagues who provided illustrations (or attempted to locate them)
for this little book: Tony Birley, for the Vindolanda tablets; Jim Bowers, for
his stirring photo montage; Julie Bronson, for never giving up the quest to
find the coin of 118 BC ; Stephen Bull, for the Lancaster cavalry tombstone;
Ross Cowan, for finding some excellent coins; Donald Fraser, for the
reconstructed Roman field oven; Fraser Hunter, for items in the care of the
National Museums of Scotland; Lásló Kocsis, for the Carnuntum diploma;
Jona Lendering, for assorted photos (as always); Alan Leslie, for his photos
of Roman military ditches; Mike McCarthy, for the Carlisle photographs;
David Mason, for the Chester inscriptions; Joyce Reynolds, for valiantly
attempting to track down Julius Karus’ lost tombstone; Alison Rutherford,
for trying so hard to locate the photo of the ‘Agricola’ writing tablet;
Manfred Schmidt, for CIL’s drawing of the Tacitus inscription; Tony Spence,
for his excellent reconstructions of Iron Age chariots; Adrian Wink, for
supplying some splendid images of his fellow re-enactors; and David
Woolliscroft for some wonderful aerial photographs.
Stan Wolfson kindly permitted me to read his unpublished manuscript,
The Battle of Mons Graupius: Some problems of text, tactics and topography
(1999), from which I have benefited greatly. Of course, readers should not
assume that he agrees with everything that I have written, although I am
happy to acknowledge that I have usually accepted his emendations to
Tacitus’ text (especially at 35.3, 36.3, 38.2 and 38.5).
All rights reserved. Apart from any fair dealing for the purpose of private
study, research, criticism or review, as permitted under the Copyright,
Designs and Patents Act, 1988, no part of this publication may be
reproduced, stored in a retrieval system, or transmitted in any form
or by any means, electronic, electrical, chemical, mechanical, optical,
photocopying, recording or otherwise, without the prior written permission
of the copyright owner. Enquiries should be addressed to the Publishers.
A CIP catalogue record for this book is available from the British Library.
ISBN: 978 1 84603 926 3
PDF e-book ISBN: 978 1 84603 927 0
Editorial by Ilios Publishing Ltd, Oxford, UK (www.iliospublishing.com)
Page layout by: The Black Spot
Index by Mike Parkin
Typeset in Sabon and Myriad Pro
Maps by Bounford.com
3D bird’s-eye views by The Black Spot
Battlescene illustrations by Seán Ó’Brógáin
Originated by PDQ Media
Printed in China through Worldprint
A NOTE ON THE SOURCES
All ancient sources are referenced using the abbreviations listed on page
94. All translations are my own, although I have frequently benefited from
the suggestions in Ogilvie and Richmond’s commentary, and readers may
notice that some passages from the Agricola bear a remarkable
resemblance to the excellent version of A. R. Birley, which I was often
unable to better.
1011121314 10987654321
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ARTIST’S NOTE
Readers may care to note that the original paintings from which the
colour plates in this book were prepared are available for private sale.
The Publishers retain all reproduction copyright whatsoever. All enquiries
should be addressed to:
THE WOODLAND TRUST
Osprey Publishing are supporting the Woodland Trust, the UK’s leading
woodland conservation charity, by funding the dedication of trees.
Seán Ó’Brógáin, Srath an Ghallaigh, An Clochan, Leifear, Tir Chonaill, Ireland
The Publishers regret that they can enter into no correspondence
upon this matter.
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AND AVIATION PLEASE CONTACT:
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Osprey Direct, c/o Random House Distribution Center,
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Key to military symbols
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Colchester Road, Frating Green, Colchester, Essex, CO7 7DW
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Army Group
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Key to unit identification
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CONTENTS
ORIGINS OF THE CAMPAIGN
5
The Claudian invasion: peoples subdued and kings captured
Nero’s governors: conquering nations, strengthening garrisons
Rome and the Brigantes
Vespasian’s new order: great generals and illustrious armies
CHRONOLOGY
14
OPPOSING FORCES
16
The Roman Army: pillagers of the world
The Caledonian forces: the noblest in all Britain
OPPOSING COMMANDERS AND PLANS
32
Agricola and the Romans
Calgacus and the Caledonians
THE CAMPAIGN
36
Agricola’s first season ( AD 77): sharing the danger
Agricola’s second season ( AD 78): estuaries and forests
Agricola’s third season ( AD 79): new peoples as far as the Tay
Agricola’s fourth season ( AD 80): setting a boundary
Agricola’s fifth season ( AD 81): crossing into trackless wastes
Agricola’s sixth season ( AD 82): a war by land and sea
Domitian’s Chattan war: a conflict of interests
The mutiny of the recruits: a bold and remarkable crime
Marching camps: like towns produced in a moment
Agricola’s line of march: passing forests, crossing estuaries
THE BATTLE
57
The long march
The Graupian Mountain
The general’s speech
Deploying for battle
The opening stage
The battle is joined
An outflanking attempt
Mopping up
AFTERMATH
84
Circumnavigation
Events at Rome
The historical truth
THE BATTLEFIELD TODAY
91
BIBLIOGRAPHY
93
ABBREVIATIONS
94
INDEX
95
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